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Dr?ngende Gegenwart × Luckenwalde – Photographic and Textile Works
The exhibition ‘Dr?ngende Gegenwart - Fotografie als Forschungsinstrument’ and ‘Dr?ngende Gegenwart - textiles in transit’ combines photographic and textile works. The exhibition opening took place on the 6th of June 2024. The exhibition itself was on display at the Luckenwalde branch until the 27th of June 2024.
"Dr?ngende Gegenwart – Fotografie als Forschungsinstrument" reflects the massive societal and social upheavals and challenges that are characterised by the confluence of multiple crises. On display are photographic works by students who have artistically explored the eponymous theme over the past two semesters as part of a course taught by Prof. Wiebke Loeper.
In times of hyperintelligence, wars and climate crisis, what are the topics we want to address photographically? How can we use photography to explore and investigate the world we live in and discover new things? How can we tell other people's and our own stories, increase knowledge, question things, share experiences and awaken mutual understanding? From the state of shock in the Oderbruch after the fish die-off to stories from the neighbourhood and utopian questions of freedom, community and our responsibility for the planet, the students approach the various topics visually, each with their own means and approaches.
"Dr?ngende Gegenwart – textiles in transit" deals with textile materials and manufacturing processes and transforms them into new and unusual contexts. According to a study by the Federal Statistical Office, over 150,000 tonnes of clothing and textile waste are generated in Germany every year from private households alone. The figures are rising steadily and have more than doubled since the study began in 2004. However, consumer waste is only a small part of the fast fashion system, which not only harms the environment but also people in precarious working conditions. With the structural change driven by fast fashion and the disappearance of the textile industry in Europe, textile knowledge has also been lost. Yet textiles have often been catalysts in cultural history, generating a high level of innovation, such as the development of the Jacquard loom, whose binary punch card system can be seen as a kind of first computer. Knowledge of textile processes is essential in order to design textile products with sustainable material cycles. The works on display were created as part of courses taught by Prof. Silvia Knüppel and her academic assistant Samira Akhavan.
With works by Andrey Aksenov | Janina Bartmann | KimLi Balzer | Cosmo Bauer | Marius Bruck | Maite Buhr | Franzisca Cram | Maximilian Dohr | Alexandra Hendel | Emma Hermann | Ronja Heeland | Paula Kalinowski | Nicolas Kawohl | Nele Kontny | Jeannie-Darlene K?ppe | Sahra Lietzkow | Stephanie Mann | Michaela Maier | Gwendolyn Paffrath | Monique Petermann | Larissa Pütz | Benjamin Ressi | Simon Naudé | Laura Sauer | Leony Schluchter | Valerie St?tzer | Merve Toraman | Sara Marie Was | Mara Wackenroder | Martin Zerr | Maxi H?tzeldt | Noah Hüther
Concept Prof. Wiebke Loeper | Prof. Silvia Knüppel | Birte Rauch | Samira Akhavan
